Monday, 2 May 2016

movie overview: 'inner men' - diversity

In "inner guys," a smashing political revenge thriller with greater double-crossings than "Infernal Affairs," a prosecutor allies himself with a gangster to topple the corrupt cabal formed by using a congressman, a magnate and a media pundit. South Korean author-director Woo Min-ho ("The Spies") has crafted a deliberately paced yarn full of shrewd political insight and gripping procedural aspect. An speedy home hit, the movie enjoyed a 2nd wind when a three-hour director's reduce was released a month later, pushing its B.O. complete to about $62.95 million. it is going to be no outsider to main Asian markets and style circles.

notwithstanding they've been a staple in Korean cinema, the ultimate few years have seen a steep rise in political thrillers that lambast unholy alliances between state departments, politicians, chaebols (conglomerates) and the mafia. similar with Ryu Seung-wan's "The Unjust" in its canny grasp of how the nation's venal social hierarchy flourishes, "inside guys" represents an elegant example of the style due to unpredictable personality arcs and a even handed use of sex and violence in an in any other case talky and convoluted screenplay.

tailored from an internet toon by way of leading manhwa (comic) artist Yoon Tae-ho ("Moss"), the story aspects such unconventional leads as a newspaperman with ambitions of being a political kingmaker. whereas the pen this charismatic villain wields is mightier than the sword, the anti-hero played through Lee Byung-hun ("Masquerade," the "G.I. Joe" series) proves it's nonetheless no match for a noticed.

Retired gangster Ahn Sang-goo (Lee) holds a press convention to spill the beans about a slush fund deploy by way of Hanyul financial institution and Mirae Motors to bankroll the presidential crusade of congressman Jang Pil-woo (Lee Kyoung-young). With a grotesque flourish, Ahn takes off his glove to reveal a prosthetic hand.

Flashback to two years ago, when bold district lawyer Woo Jang-hoon (Cho Seung-woo, "Tazza: The excessive Rollers") corners Mirae accountant Moon Il-seok to get facts of the slush fund, most effective to be overwhelmed to it through Ahn, then a smalltime gang leader within the pocket of Mirae president Oh Hyun-soo (Kim Hong-fa). besides the fact that children, Ahn makes the deadly mistake of passing a copy of the documents to Lee Gang-hee (Baek Yoon-sik), chief editor of the Kukmin daily. This results in the film's most sensational scene, when Ahn gets his hand sawed off with the aid of Oh's henchmen.

the primary act unloads a flurry of characters who hop from one backroom deal to the subsequent. Their entangled connections and Machiavellian vigour performs are intricate to parse, particularly if one has to keep up with the dissembling speak by the use of subtitles. despite the fact, the significant figures' movements and causes gain readability because the story progresses, whereas plot turns be capable of dwell one step ahead of the viewers. Accentuating the depravity of the nation's movers-and-shakers, most action is either set amid urinals or deepest lounges furnished with a chorus line of hostesses, as the fearless sexagenarian actors function in the buff with sleazy gusto.

however the usual length might have been shortened to drum up anxiety, it's not ever dull watching Ahn and Woo take their time gravitating toward one other to plot their revenge. Their rapport right through a hideout in the country domestic of Woo's father offers the requisite calm before a storm. once their plan is decided in movement, the pace hurtles forward like a bullet instruct. As their adversaries retaliate with fearsome clout, a thrilling battle of minds and brute drive ensues, climaxing in a switcheroo with an not going, but stirring payoff.

In a bravura performance, Lee provides an entertaining layer of loud showmanship to Ahn's feral nature, as when he sings a weepy folks tune while hammering Moon's fingers to shreds. It's loads of enjoyable to see him claw his approach lower back no depend how his effective enemies try to crush him. Cho is understated but no much less mentally focused as the cerebral Woo, pushed by his exclusion from the boys' club because he went to a provincial school and has no connections. The film depicts a relocating transformation, as Ahn at last turns his very own vendetta into a public trigger whereas Woo also receives over his careerism to safeguard justice and combat elitism.

Baek makes Lee's viperish nature the entire greater repulsive by using affecting a suave demeanor, despite the fact that it's difficult to agree with a journalist could wield that much power in business or politics. His longtime liaison with Ahn isn't from now on convincing: although Ahn claims he'd as soon as supported Lee financially, their background is simply touched upon in a single driving scene. thus, Ahn's motives for entrusting him with incriminating files stay obtuse to the end. It's one among many free strands that indicate a script overreaching itself.

The film's tech credit, much less glossy than average Korean commercial fare, are serviceable. If anything else, the mundane places and simple visuals draw activities closer to reality. editing with the aid of Kim Sang-bum tends to break up the narrative into too many scenes.

Reviewed at Hong Kong film pageant (Gala), Apr. four, 2016. (additionally in Udine some distance East film pageant.) working time: one hundred thirty MIN. (usual title: "Naeboojadeul.")


(South Korea) A Showbox Mediaplex (in South Korea), Klockworx (in Japan) release of a Showbox presentation of an internal men LLC production. (international earnings: Showbox, Seoul.) Produced with the aid of Kim gained-kuk, Charles Park. executive producer,  You Jeong-hun.


Directed, written with the aid of Woo Min-ho, in accordance with the webtoon by way of Yoon Tae-ho. camera (colour, widescreen, HD), Gu Rak-seon; editor, Kim Sang-bum; song, Cho young-wook; construction clothier, Lee Min-soo; artwork director, Cho Hwa-sung; costume dressmaker, Cho Sang-kyung; sound, Kang Joo-suk; particular effects supervisor, You Dae-won; visible results, 1046 Studio; action director, Park Chon-ryul.


Lee Byung-hun, Cho Seung-woo, Baek Yoon-sik, Lee Kyoung-young, Kim Hong-pa, Bae Sung-woo, Jo Jae-yun, Kim Dae-myung, Jo Woo-jin, Nam sick-woo. (Korean dialogue)

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